Things got off to a rough start. I arrived shortly before 5pm, only to realize that we were supposed to be there at 4pm. One thing I hate more than just about anything else is being late. I'm of the opinion that 9 times out of 10, being late is your own fault. Last Friday was no exception. For some reason, I had "5:00 sound check" in my head. Granted, it's tough to get anywhere on time once you have a baby to account for, but if I had remembered the correct time, we would have been fine.
Unfortunately, this was only the start. I sent my Mesa/Boogie ahead in one of the other vehicles, and I couldn't find it. I had to track down one of the sound guys to ask him where it was. When I got to the part of the stage I was to occupy, there wasn't much room at all. I saw that Mark was helping out the sound guys so I asked him where my amps were to go. Then he had to have a conversation that no sound guy wants to have with a musician.
"See, since the stage is so small, Derek was thinking of putting your amps behind the stage facing the wall."
My face outside: 
My attitude inside: 
If there's one thing I hate, it's being late. If there's another thing I hate, it's the sound of an electric guitar through a monitor when you can't hear the amp itself. 10 out of 10 times, the sound from the amp will be nice and warm while the sound from the monitor will be thin and brittle (based on my past experience) To make matters worse, not having my amps on stage left me with a dilemma - the amps were doubling as guitar stands/supply shelves. This meant that someone had to make a run to Guitar Center for another guitar stand. Furthermore, I bought ear plugs specifically because of the stage diagram we were shown at our previous practice. "Hmm," I thought. "If my amps are going to be directly to my right, there's no way my right ear can survive." See, I had been practicing with the amps directly behind me.
To top it all off, there was someone else's "junk" (wallet, phone, jacket, etc) in my corner of the stage.
In MY Corner!!!
Things definitely were not off to a good start. Of all times for this stuff to be happening... this was our ministry's biggest event ever. Why did things have to be so last-minute?!?! Some really strange things crossed my mind like doesn't God realize that I need to have a minimal amount of pre-performance distractions so that I don't lose focus? It seemed like one thing after another was going wrong.
Sound check started. My monitor was way too loud. For all those years playing in garage bands at full volume, I think my ears are more sensitive now than they were back then. I'm not really sure why that is, unless I've stripped away some of the protective barriers in my ears. Is that even possible?
So after asking the sound guys repeatedly to turn it down, it actually started to sound good... really good. I found it amusing that even though one of the "benefits" of having the amps off-stage was to reduce stage volume, the monitor was louder than both amps combined would have been. Go figure.
Between the first and second songs, I was supposed to switch guitars. I made sure to tell John this at the practice we had 6 weeks prior, and we planned for a short 15-20 second break in which to do this. But now, things had changed.
J: "I thought we were going to have a short break between 'Soli' and 'Your Great Name We Praise.'"
Other J: "Well... now there's no break."
J (thinking): so it's like that, huh?
But then God changed things. Slowly, my attitude began to soften. I stopped beating myself up over being late. I'm a perfectionist, which is a nice way to say I'm always fighting with myself over being prideful. So after those things were dealt with, I went into survival mode, which for me, is improv mode... take whatever you're dealt and deal with it. And for crying out loud, have a good attitude. It's the Resolved (colon) conference.
We were told kind of last-minute that we needed to come up with an intro piece to kick off the whole night... something that would really create an atmosphere for the whole weekend. My ears perked up. Did you say... atmosphere? For the past oh, I don't know, 3 or 4 years, I've basically classified my guitar playing as very atmospheric. I like to color things up by using effects and write guitar parts you can space out to (or at least parts I can space out to). You can tell when I'm playing one of those parts because I tend to do just that. It's not for show. It's just a habit I developed. If a guitar line takes your heart to the breaking point, it's the right one. And since the only barometer I have for that is my own opinion and emotion, I usually end up enjoying my own playing more than other people do*. Upon first glance, that sounds incredibly arrogant, but it shouldn't. I'm not saying I'm better than others, or even that I'm that good. I just enjoy the emotional journey I experience when I'm able to incorporate dreamy guitar lines, especially in the context of worship.
* My guitar playing has Easter eggs (hidden meanings). What that means is that many times, I'll throw in a riff from another song just to spice up the song we're playing. Usually no one notices except for me. That's one reason I enjoy my playing more than other people do. That's one thing I immediately loved about Something Like Silas... "Hey, that's almost the same riff as Sunny Day Real Estate's 'Waffle'" or "Hey, that drum beat is the same as such-and-such Violet Burning song. Cool."
For example, did you know that at my solo for "Rise Up and Praise Him" has, at different times, been the theme to "Top Gun," the melody line to Michael W. Smith's song "Lamu," and the "Star Wars" theme? Or that the last 4 bars of the solo for "Cry Holy" this weekend were lifted DIRECTLY from Whence He Came's song "Here's to Hope?" Or how about the fact that the main guitar lead to the Smashing Pumpkins' "Today" was used multiple times throughout the weekend, just for the fun of it?
Well, now you know, but hopefully you're too busy praising to notice these things... unless such knowledge enhances the worship experience, in which case, I'm glad you have the same response I do.
For our "Intro," we settled on a D~E~A~D~E~f#m chord progression with 3 sections:
I - very mellow with minimal percussion
III - full tilt with lots of cymbals and loud guitars
II - a happy medium between I and III
Though I've used an EBow for years, it took on an entirely different dynamic when I used it in conjunction with a guitar slide. It was a ton of fun. The song was supposed to last for about 5 minutes, but I could have played it for 25. There's something hypnotic about chord progressions that keep repeating themselves, as long as the instrumentation keeps things interesting.
We ended on the A chord and after a short pause, jumped right into Soli Deo Gloria. When it was all said and done, I had an awesome time worshipping. As late as our sound check, things sounded iffy, but when we walked off stage after the set was over, I had a huge smile on my heart. There's no explanation other than that the Lord helped us out A LOT. Despite all the distractions that had been building up, when it really counted, it came together. There's no way we can take any of the credit... it's all the Lord's.
Hearing 1500 people sing God's praises in your direction is very humbling. I'd imagine it's pretty cool to be a popular band and have people sing your songs (loudly) at concerts. I mean, they're songs that you've written. What a neat connection with the audience. How much more amazing is hearing people sing songs at a conference such as Resolved. Though we didn't write any of them, we still had that connection with the audience... we're all praising the same God. An incredible experience.
Ultimately, I should have had a good attitude whether or not circumstances changed. That's the way it goes: circumstances can't dictate our response. But in this case, the Lord saw fit to improve circumstances as well:
~ I was able to get another guitar stand before we started.
~ The sound of the amp through the monitor was incredible. I've never played through a good monitor, so this was a real treat. It felt like having the amp right there.
~ I did have time to switch guitars between songs 1 and 2 after all.
~ We got to do an atmospheric intro, which really excited me.
~ I was able to worship distraction-free. I was trying not to weep up there on some of the songs.
~ The stage looked stinkin' amazing. I mean, you'd hope so for the amount of money they spent. But yeah, it was great.
The biggest, and really the only bummer of the weekend was "Jesus I My Cross Have Taken." The first time we played it, I chickened out on the solo, so I did some cheesy one to guard against hitting wrong notes.
I planned to make up for it on the second time, except the second one was played in attempts to appease CJ Mahaney. Since this was totally un-practiced, I again messed it up and didn't get a chance to play the solo I spent so much time writing.
It's influenced heavily by someone whose music I dislike so much that I won't even type his or her name. But on his or her live DVD, he or she plays a solo that features a riff high on the guitar neck, then an identical riff an octave lower on the lower part of the guitar neck, and so on. That's what was supposed to happen. It didn't. I was pretty disappointed. But the jam session that ensued more than made up for it.
The plan was to have each person do a solo after we'd gone through the progression for a while. I started with a lead similar to what I'd played on Friday night. I was fairly happy with it. It wasn't blow-you-away amazing, but at least I didn't hit any wrong notes (that I remember).
Then it was Morgan's turn. I felt a little bad for him because his keyboard was set to play ambient string pads, which aren't that conducive to soloing. He ended up throwing in a few organ lines and that was good enough for CJ.
Then CJ came over to me and stood there. I was a little puzzled, since I thought I had already soloed quite enough. Some have asked me what I was saying to CJ on stage. It went like this:
CJ: "You're next."
J: "Huh? I thought I was first."
CJ: "No, we're going right to left."
J: "Um, okay."
and then...
CJ: "You play and I'll strum. Show me where."
J: "Ok, here." (gives CJ guitar pick)
J: "1, 2, 3, 4, NOW." (CJ strums)

Then he got excited (I don't think it takes much to get CJ excited).
He strummed hard and fast and knocked the tension out of my E-string. It didn't actually break... it just came loose.
Then it was John's turn, then Joe, then Tim, then Pat, then Matt.
Special props to Joe for playing a tasty drum solo that stayed pretty under control but was still impressive. And props to Matt, who hates playing solos, especially on the bass, but still played some nice riffs.
In a spot of irony, I've spent so much time researching boutique pedals recently. I'm proud to say that my 3 latest purchases have been hand-wired, hand-built pedals that you can't find at your local guitar center. And much to my chagrin, the picture of my pedal board that's decorating the Xroads site only shows the mass-produced non-true bypass clunkers.
Let's say you own 3 cars. Now, many of you would probably be happy owning one, but let's say you've got 3...
1. A nice SUV fully decked out... nice stereo, tinted windows, rims (but please no spinners), etc.
2. A nice luxury car... also fully decked out. A ton of fun to drive.
3. 1985 Buick boat-type car. You hardly ever drive it. It just sits there taking up space.
One day, your friend makes a website. You visit it only to see your 1985 beast with this caption: " (your name)'s car." Yeah. It is your car... no denying that. It's just not the one you're necessarily proud of. So in honor of that, here's more techie garbage. I'm surprised people have actually admitted to reading these, but I'm glad.
This was the official rig for Resolved. Everything is listed in order of signal chain. (duh)
Peavey Predator (EMG81 bridge, EMG85 neck)
Ibanez S470
1967 Fender Mustang
into
Fulltone Fulldrive 2
Red Witch Moon Phaser
Loooper 3
loop 1. Boss DS-1
loop 2. ElectroHarmonix Deluxe Memory Man
loop 3. Boss GT-3
Boss LS-2 (used as signal splitter)
into
Mesa/Boogie Nomad 100 Head w/ Mesa/Boogie Rectifier Cab (2x12)
and
Fender Blues Deville 4x10 Combo
I rearranged everything on the board, so I'll post pics as soon as I can upload them.
That sums up the music review for Resolved: 2005.
Listening to "Castlevania 3" by the Minibosses
